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'You
have lonely
men
and women
pouring out their hearts to you,
about lovers and drugs
and the death of their dreams ....'
Although
a published poet
and journalist, Golan says
he learned the most about
writing fiction from driving a taxicab
in New York City
MARTIN GOLAN HAS
BEEN a reporter, editor, and feature writer at
newspapers and magazines. He is now a senior editor
at Reuters in New York City and a private
writing coach for select students.
His first novel,
My Wife's Last Lover, was published to
much acclaim in 2000, and spent over a year as
No. 1 on Amazon's best-seller list for the
area of New Jersey in which he lives.
He's published poetry, fiction, and essays in
many magazines, among them Pedestal, The Literary Review,
Poet Lore, Fiction Warehouse, and
Bitterroot, where he served as associate
editor for several years, working closely with
legendary poet and mystic Menke Katz.
Several of the
stories in Where Things Are When You Lose
Them are among the work that appeared in
these publications, and a
poem offered here,
"A Poem About Sex," can be found
in the current issue of the well-known poetry magazine Lips.
He holds a master's degree in
creative writing from the City College of New
York (when the faculty included Joseph Heller,
Anthony Burgess, and Kurt Vonnegut) and
studied fiction writing with the novelist
Leslie Epstein, and took poetry workshops with
poet William Packard, who was then starting up
New York Quarterly.
Golan lives in the New Jersey town where his novel and
many of his stories take place,
and he
volunteers with a group of local media
people to raise funds for the public library.
He is also an absolutely dreadful blues
harmonica player, who enjoys playing along
with his musical hero, Bob Dylan (please don't
tell him that the applause isn't for him).
Although he's studied
with well-known writers and tutored others in
poetry, fiction, and memoir, worked as a
journalist for a large international news
organization, and held odd jobs -- from gas
station attendant to ice-cream truck driver --
Golan says he learned the most about writing
from driving a taxicab in New York
City, which he did in college and between
newspaper jobs. ("Intimacy," in Where
Things Are When You Lose Them, appears to
have been inspired by this one-time job.)
As he puts it: "You hear real dialogue acted out
as if on a stage (albeit behind you, not in
front); you see people interact, on dates and
social and business occasions; you witness
chance encounters between strangers 'sharing'
a cab; you have lonely men and women pour
their hearts out to you, about lovers and
drugs and the death of their dreams; and you
enjoy a never-ending stream of out-of-towners
experiencing a fascinating city that you see
with new eyes -- it, like the passengers
themselves, ultimately unknowable."

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